Showing posts with label Harry Potter. Show all posts
Showing posts with label Harry Potter. Show all posts

Monday, March 10, 2014

Elves



In one of the novels I've been working on, I deal with elves and assorted fae.  I thought it might be fun to discuss some of the folkore and literature surrounding elves.

In folklore, elves are usually extraordinarily long-lived or immortal beings that often possess magical powers. They've become common fixtures in fantasy literature, entertainment and popular culture.


 We've seen them in commercials baking cookies in hollow trees, in film and fantasy literature as bad ass warriors, on TV as would-be dentists and even as video game characters. But where did the legends of these beings spring from?


In Folklore, the term elf and fairy are generally interchangeable. The word elf comes from the Germanic languages (aelf) whereas fairy derives from Latin (fata). Elves and fairies are generally thought of as nature spirits and stories of them are found all over the world. They are also referred to by the terms faery, fairie, fay, fae, Wee Folk, Good Folk, People of Peace or the Fair Folk.


The elves that we are familiar with in fantasy and pop culture stem from the folkloric traditions and mythology of the Germanic and Norse peoples as well as the Celts.


The Norse believed that there were both “light” and “dark” elves, the first a benevolent, shining race of beings and the latter as malevolent creatures bent on harming humans. Stories of the two races of elves appeared in the Prose Edda, but it is unclear whether the distinction between the two types was a creation of the author or a result of the importation of the Christian belief in angels.


J. R. R.Tolkien was influenced by the Norse concept of elves when he created Middle Earth. The light elves of Norse myth inspired the elegant, mysterious inhabitants of Lothlorien and Rivendell, where the dark elves became the orcs. The word orc is derived from the Latin term for monster (orcus), which is also the root of the name of the Killer Whale (orca) and the term ogre.


Tolkien was not a fan of industrialization. He was repelled by the harshness of his experiences during WWI and romanticized the “simple life” of an earlier age. But he wasn’t the first to do so.


In the Victorian age, many adults became caught up in a “fairy craze”, which some scholars believe was partly influenced by the Industrial Revolution. Fairy paintings and stories of the time were rich in nostalgia for a vanishing way of life. The Pre–Raphaelite school of art, in particular, depicted pastoral and woodland scenes from romance, legend and myth, many of which featured elves and fairies.


In Celtic mythology, fae fall into two categories derived from Scottish folklore: the Seelie Court and the Unseelie Court. Seelie are the benevolent fae and unseelie malevolent. The term seelie is thought to be the origin of the English word “silly”. The Seelie court and unseely court fae are similar to the Norse division between light and dark elves. Later, William Butler Yeats, in Irish Fairy and Folk Tales, divided the fae into Trooping Fairies and Solitary Fairies. The Celtic tradition includes many fairy-type creatures, from pixies and brownies to ogres and giants.


Baobhan sith (pronounced baa'-van shee) are femme fatales found in Scottish Gaelic oral tradition. These siren-like creatures waylay male travelers and insist they dance with them. They are similar to Banshees and the Rusalka and Wila of Eastern Europe as well as the sirens of ancient greece. Wila is sometimes spelled as Veela. Fleur Delacourt in Harry Potter is part Veela.


Folkloric and mythological traditions throughout the world feature their own versions of elves and fae. In classical myths we find nymphs, fauns and satyrs.


Dryads are a type a nymph, considered to be the souls of trees. In The Chronicles of Narnia by C.S. Lewis, dryads fight alongside Aslan and the Pevensie Children. A Dryad named Juniper appears in the 
 Percy Jackson and the Olympians series.
So how did elves become bound up in the Santa Claus legend? Elves have long been associated with Scandinavian and German gift-giving customs, but much of the belief in the USA surrounding Jolly Old St, Nick has evolved largely out of popular culture and advertising.

Back in the sixties, my family used to have a plastic elf who allegedly reported back to Santa when we kids were naughty. Imagine my surprise when I learned of that there is a book now called The Elf on the Shelf. And I thought my Dad invented the custom. Talk about your zeitgeist. Or is that zeitalp? Did all parents get the same idea about these creepy plastic and felt figures at the same time? Not my favorite custom surrounding elves.


It’s not really clear where and when Santa’s elf army cobbled their way into the mythos. Perhaps, like many Christmas customs we observe today, the presence of benevolent elves is a reminder of an earlier time, when people drew together in the shortest days of the year and feasted and made merry in hopes of dispelling the cold and gloom of winter.

Tuesday, August 9, 2011

Travis McBee talks about Bridgeworld

Welcome to Travis McBee!  I had the pleasure of meeting Travis at Fandom Fest a few weeks ago.  He was launching Bridgeworld, and I found what he to say about the book very interesting.  Especially since the book is YA science fiction.  Please read on to see what Travis has to say.




DV: Travis, toward what age group is your work geared?




TM: Bridgeworld was written for young adults but it has enough mature topics and hidden humor in it to amuse adults as well.



DV: Into which genre would you say your work falls and why?



TM: My work fits very cleanly into the Science Fiction genre based on its setting alone. It also comprises elements of a Coming of Age novel as the main character tries to find out who he really is.



DV: Fantasy and science fiction create a new world for the reader. Tell us about the world you’ve built.



TM: Bridgeworld consists of two worlds, one is our own and one that exists in space. The world I constructed is as complex and different from ours as I could manage. I hae an entire spiral notebook full of notes to keep things straight. Everything from the food to polite behavior is different. In this new world there are new sports, hobbies, and bracelets that identify your relationship status. One of the favorite pastimes in Bridgeworld is known as ‘ticking’, or messing with Earthlings.



DV: Who is your favorite character in your book and why?



TM: My favorite character would have to be Abby. She is a very carefree person who enjoys the little things in life and would be enthralled in the things we would think of as mundane, such as a cheeseburger or a cell phone. Every time I was writing a scene with her in it I would find myself smiling.



DV: What other writers would you say have influenced your work and why? What are some of your favorite books in your genre?



TM: I’m influenced by everything around me. The idea for Bridgeworld came as I was sitting on my couch watching some cheesy movie. I remembered a book I had read eight or more years ago called The Dark Side of Nowhere by Neal Shusterman. That book was about a a group of teenagers who discovers that their whole town are really aliens. I wondered what it would be like for just one boy to learn that his life wasn’t what he thought. Besides that book, Enders Game influenced me tremendously, helping to contribute to the zero-gravity game of zegma.



DV: What is your writing process like? Do you do a lot of background research? Do you plot every detail or do you prefer the characters to move the story in new directions, or a combination of both? Do you belong to a critique group and do you find this helpful?



TM: I write like I go to war. I spend days with a composition book or spiral notebook taking relentless notes. I plan out most of the novel but only in a vague sense. The planning is so that I will eventually get to where I want to go but I usually find myself making wholesale changes while I actually write. I usually have an idea about what the characters will be like but they surprise me a lot of times and morph into something I didn’t foresee. To me writing a book is a lot like going on a road trip; I know where I’m going. I know the basic route I’m going to take, but there are always tons of surprises along the way.



DV: Do you have any advice for young or beginning writers?



TM: I have started perhaps half a dozen novels. The reason that I finished Bridgeworld is simple, I was prepared. Start a notebook, make sure you know where you want to end up. If you just go at it most of the time you’ll wander around and get bogged down, disheartened, and quit. The most important thing, though, is perseverance. Writing is fun, any author will tell you that, but it can also get boring. I create stories much faster than I can write and many times I feel myself thinking about a new story and yearn to start writing it. I did this several times and that is why I have so many unfinished novels. Finish what you start, it will be worth it.



DV: Who is your publisher, and where are your books available? Are there e-books and hard copies available?

TM: I am published by Hydra Publications. My books are available at Amazon, Barnes and Nobel, and most online retailers. An E-book will be available soon from Smashwords as well as Amazon. Paperbacks are available now.



DV: What is your website and/or blog where readers can learn more? Can they friend you on facebook or other sites?



TM: There is a Bridgeworld fan page on Facebook and there is more information at my publisher’s website http://www.hydrapublications.com/




DV: Are there any upcoming signings or appearances you’d like to mention?



TM:I don’t have any signings schedule soon but if anyone would like me to make an appearance you can contact me through my facebook page and I will see if I can manage to do it.

Travis, thanks for joining me today!  You can follow Travis at his facebook page: http://www.facebook.com/#!/pages/Bridgeworld/172798309452043