Wednesday, May 26, 2010

Interview with author, Mary Muhammed















Today I welcome Mary Muhammed who is on her Virtual Book Tour!  Please post a comment to be entered in a drawing for her book at the end of her tour.  Mary, welcome to Immortyl Revolution.  What age group is your work geared toward?

The age groups I write for are all ages. I have books that will hopefully bring something to all who read them.


Into which genre would you say your work falls and why?

The genre I write in mostly is poetry; because it’s always been my way to express, to sing and to voice whatever is pushing to come out. Be it in a story form or free style, Poetry is and will always be my first voice.

Tell us a little about your latest book.

My latest book Journeys of a Soul is poetry that whispers a little romance, it sings a dance and cries the ills of society while wrapping its reader spiritually.

Who is your favorite character in your fiction and why?

Journeys of a Soul is poetry, however my book Hugs and Kisses is a book about two little girls who are discussing the ill ways of touching. In this book, Tracy is the main character, so I have to say her for this reason.

What other writers would you say have influenced your work and why? What are some of your favorite books?

For my poetry, I was greatly influenced by Paul Laurence Dunbar. Not many young poets today know of him, but he was a great writer of his time. I especially loved his work “The seedling” and “Sympathy. I enjoy his writing because of the diversity of how he wrote, the messages in his words and the strength in his voice.

What is your writing process like? Do you do a lot of background research? Do you plot every detail or do you prefer the characters to move the story in new directions, or a combination of both? Do you belong to a critique group and do you find this helpful?

When writing my book Hugs and Kisses I did my research, I watched the news clips, I researched the organizations who are advocates for this issue, so when it was published I was able to inform in a sure manner. I was aware of this awful plague ruining the lives of many children. When writing the story, I let the characters move the story in the direction I felt it should go to get the message out. I also added detail, so the story lines could be opened for discussion. I felt this would serve as grounding for helping the intended subjects. As for groups, I do belong to a few with my favorite at the moment being fan story.

Do you have any advice for young or beginning writers?

I have had the chance to read a lot of work from the younger generation, and for them I continue to say, believe in your writing, your voice and your message. Let it out, let it go and just do it.

Who is your publisher and where are your books available? Are there e-books and hard copies available? My publishers are Publish America, Lulu Publishing and Create Space through Amazon. There are hard copies available for my first publishing Echoes of an Era as well as my first young adult novel Love laws. At the moment neither are e-books.

What is your website and/or blog where readers can learn more? Can they friend you on Facebook or other sites?

My websites are www.marysbookplace.com http://mhammads.blogspot.com www.marysbookspalace.webs.com Yes, they can friend me on Facebook as well.

Are there any upcoming signings or appearances you'd like to mention?

Well my PR is setting up a book signing, the details are not complete at the moment, but I’m sure it will be soon and I’ll post this for everyone at my websites.

Mary, Thanks so much for joining me today!

Wednesday, May 19, 2010

My Virtual Book Tour

I'm now on tour!  Check out my schedule here on the sidebar.

Interview with author, Lorrie Unites-Struiff


Today I welcome Lorrie Unites-Struiff!  She is on her Authors Supporting Authors Virtual Tour.  Please leaver her a comment to be entered to win a copy of her book at the conclusion of her tour and also a journal and booklight.






Lorrie, Welcome to Immortyl Revolution.

Hello Denise and readers. I’m so happy to be here. Thank you for hosting me, Denise, and allowing me to tell your readers about my new novella.

What age group is your work geared toward?

I’ve geared Gypsy Crystal toward all adult readers who enjoy a good thriller.

Into which genre would you say your work falls and why?

Gypsy Crystal is a paranormal/thriller/romance.  The paranormal-- Rita is a homicide detective who wears a mystical amulet handed down through her Roma maternal bloodline. The crystal helps her see in a dead persons eyes, the last person they had seen when alive.
The thrills--A serial killer dubbed “The Ripper” is on the loose in her town and targeting prostitutes. FBI agent Matt Boulet is sent to lead the task force. Chills and thrills follow the two as “The Ripper” leads them on a wild and dangerous chase.

The romance—Rita has a yen to tangle the sheets with Matt. Does he feel the same?

Tell us a little about your book.

Gypsy lore and mysticism play a large part in my novella. Too many secrets are kept.  Rita has a secret. She wears a crystal amulet that protects and aids her on the job and the streets of her city.  FBI agent Matt has a secret. He knows who the serial killer is but will not reveal to Rita or the task force the man they must hunt down. He gives the task force odd instructions and informs them he has orders from his superior that it is a “strictly a need to know.”  Rita’s family has secrets. One that Rita will find very hard to swallow.  When all the secrets are exposed, the hunt for the killer becomes the most dangerous Rita will ever know.

Who is your favorite character in your book and why?

Rita’s friend, Della, is my favorite character. Della has a take-no-crap attitude and is loyal. She’s a tough cop on the outside yet has a soft inner side that she tries to hide. Through humor, we see both sides of her. She may get a story of her own in the future.
What other writers would you say have influenced your work and why? What are some of your favorite books in the genre?

I read a great many thrillers and so many authors have influenced my work, it would take two pages to name them all. At the moment, I am ready to dig into Dark Deceptions by Dee Davis.

What is your writing process like? Do you do a lot of background research? Do you plot every detail or do you prefer the characters to move the story in new directions, or a combination of both? Do you belong to a critique group and do you find this helpful?

My writing process is “write when I can.” I try to take two solid hours a day to write, but it doesn’t always work out. I get caught up in background research and can spend many hours rapt in the information I find. I don’t plot my stories, I play with them in my head until the story line seems exciting and the characters come alive. Then I begin to write and hope for the best. After a few drafts, I run the story by my critique partners to pick apart for logic flaws and some hard hitting critiques. I have a wonderful group to depend on. They tell it like it is and I love them for that.

Do you have any advice for young or beginning writers?

Only what all authors tell beginning writers. Don’t give up. Keep butt in chair. The only way you learn is to keep writing, join critique groups, and don’t give in to the frustration of rejections.  I will suggest starting with short stories first, before a novel. Short stories give you a good foundation and less rewriting than first novels.

Who is your publisher and where are your books available? Are there e-books and hard copies

available?

I am published with Eternal Press/Damnation Books in both e-books and hard copies.  You can order direct from the Eternal Press http://www.eternalpress.biz/searches.php?category=top and from Amazon.



What is your website and/or blog where readers can learn more? Can they friend you on Facebook or other sites?

Check my website for more info and reviews of Gypsy at http://struiff.wordpress.com/.  I have a personal page on Facebook, please friend Lorrie Struiff.  You can join my Gypsy Crystal fan page on Facebook.

Are there any upcoming signings or appearances you'd like to mention?

None. But doing this virtual blog tour will keep me active and to follow the tour, I’ll be posting my appearances on the Gypsy fan page on Facebook.

Lorrie thanks for joining me today!

Here is a blurb and short excerpt from Lorrie's book.
Everyone has secrets.

Homicide Detective Rita Moldova has a secret, a crystal amulet from her Roma bloodline that allows her to see the last image a victim had seen in their eyes before they died. Now, a ritual killer is terrorizing her town and the crystal’s magic has suddenly stopped doing its job.

FBI agent, Matt Boulet, is sent to lead the task force and gives the group strange orders. Worse, Rita senses he is holding back a deep, dark secret about the killer.

When she confronts her seer mother’s advice, she learns another secret about their clan that she finds impossible to swallow.

Rita swims through a whirlpool of confusion as the investigation continues. Can Rita deny the lore of the ancients? Can she deny her growing feelings for Matt Boulet?

(Excerpt)

Detective Rita Moldova peeked around the corner to make sure the hallway was empty. Making a quick right turn, she slipped into the autopsy lab to have a few minutes alone with the body. She tucked her white shirt tighter into her jeans and zipped her windbreaker to stay warm in the chilly room. The harsh odor of formaldehyde hit her nostrils and stung her throat.


Her heart twisted at the sight of the young, auburn-haired woman lying on the stainless steel table. A white sheet covered her to the navel; bruises blemished the once pretty face. Contusions marred the pallid skin from elbow to shoulder. The gash on the front of her neck gaped, exposing open veins and torn tissue.


Rita flipped her thick, dark braid back over her shoulder, snapped on one latex glove, leaned over the corpse, and peeled back an eyelid. In her bare hand, she clasped a star-shaped crystal hanging from the gold chain around her neck, an endowment from her maternal Roma bloodline. The crystal heated in her palm, warm energy pulsing up her arm to her shoulder. The face captured in the victim’s eye coalesced and stared back. Rita drew in a sharp breath. Bobby Driscoll! She had known him since high school, and now he worked as a uniform in her precinct. What the hell was going on?















Thursday, May 13, 2010

Linda Robertson book and Cara Mia poster giveway!

Scroll down to my interview with Linda and add a comment to be entered, deadline is Friday.  The Fiona Ingram interview also is featuring a giveaway.

Wednesday, May 12, 2010

Interview with author, Fiona Ingram




Today, I'm pleased to welcome Fiona Ingram who is on her Authors Supporting Authors Virtual Book Tour! Please leave a comment to be entered in a drawing for Fiona's book and other prizes through Authors Supporting Authors.  Winners will be contacted by e-mail. For details visit Virtual Tour Giveaways.

Fiona, tell us a little about yourself?

FI: I am a middle grade children’s author who became an author quite by accident. A family trip to Egypt with my mother and my two young nephews sparked an idea for a short story … which became a book … which became a book series in the making. The Secret of the Sacred Scarab changed my life and career, taking me from journalism into the world of non-stop adventure writing.

What age group is your work geared toward?

FI: Generally readers begin at around nine or ten and upward. I think younger readers might need help with words and concepts (there is a lot of historical, geographical, and mythological detail) but older kids, and big older kids called adults seem to love the book. The younger readers will enjoy the surface story whereas the older readers will investigate the hidden mythology behind the Seven Stones of Power scattered across the ancient world thousands of years ago, and what they hold for the two heroes Adam and Justin Sinclair in the future.

Into which genre would you say your work falls and why?

FI: I would term the series “youth adventure” or (“history mystery” as Adam says in Book 2) rather than fantasy, since it is steeped in ancient mystery, myth and legend, archaeology and geographical exploration but there is, of course, a fantasy element surrounding the plot. Literary agent Mary Kole (Andrea Brown Lit Agency) describes this genre as magical realism: a story set firmly in our world, only with a twist—magic, danger or something that turns “reality” on its ear—to make things more interesting.

Tell us a little about your book.

FI: The story is about two young South African boys, Justin and Adam Sinclair (aged just-turned-14 and 12-going-on-13 respectively), who visit Egypt with their Aunt Isabel and their grandmother. They are given an ancient scarab by mistake (or is it?) and are plunged into an incredible adventure, escaping death, giant cobras, desert sands, and evil villains in their quest to discover the secret of the sacred scarab, find the long lost tomb of the legendary Scarab King, and rescue the missing archeologist James Kinnaird. The boys also face emotional and moral choices that define who they are in a totally strange and often hostile environment. There is a wonderful mythology attached to this multi-layered plot, as well as history, geography and action all rolled into one package. The book leads the young heroes into the next in the series, with a quest to find the Scroll of the Ancients, and the remaining Stones of Power. (The series takes the heroes to different countries and explores the culture and mythology of each new terrain.)

Who is your favorite character in your book and why?

FI: Adam is the bearer of the sacred scarab and obviously the main hero. I really adore him because he is so real, just like a young boy trying to deal with life and its issues. However, Gran, the boys’ grandmother, just has to win the My Favorite Character vote. She is closely modeled on my mother and her feisty attitude and peppery retorts are really very funny and add a lot of humor. She is actually crucial to the plot.

What other writers would you say have influenced your work and why? What are some of your favorite books in the genre?

FI: It’s hard to say who has influenced me because I am an avid reader and read as widely as possible. Growing up I loved all the children’s classics, from The Water Babies to The Famous Five and somehow along the way I am sure that vestiges of all those authors can be seen. People always say the book reminds them of the Hardy Boys - adventure ahoy! I was more of a Secret Seven kind of gal but I can see the parallels. As an adult, I think writers like Graham Hancock and Andrew Collins, who explore the possibilities of ancient civilizations, have really opened my eyes to the greatness of the ancient past.

What is your writing process like? Do you do a lot of background research? Do you plot every detail or do you prefer the characters to move the story in new directions, or a combination of both? Do you belong to a critique group and do you find this helpful?

FI: The books are in a certain framework of history, mystery, quest and ancient civilization, so I really do a massive amount of research in order to make the facts merge seamlessly with the fiction. The thread running through the books (the quest for the Seven Stones of Power) demands that historical and geographical research must be accurate. I did not choose that, but writing the first book about Egypt has set a high standard. I use mainly existing legends, just woven into a fascinating mythology to create a new reality for the heroes. I have a clear overview of each story: what the storyline will be, where the next Stone of Power is found, what artifact will be used, what country, what culture, main plot points, etc. Then I just begin and let the plot points connect. Sometimes I let the characters do their own thing; they have some really good ideas .…

I don’t belong to a critique group because I still write free lance (for a living), I have just signed a contract for a Regency Romance novel, and all the social marketing takes up a huge amount of time. I do edit other people’s work and do lots of book reviews.

Do you have any advice for young or beginning writers?

FI: Make sure your product is as good as it can be. Get edited and listen to your editor. Scour the e-zines and industry newsletters for tips and advice on how to get into the market and find an agent. I have some good articles on my author site on the nuts and bolts of getting your work out there. Visit www.FionaIngram.com (Media Room) under Articles.

Who is your publisher and where are your books available? Are there e-books and hard copies available?

FI: I am published through iUniverse. My books are available in all formats and from many sites listed on the book website www.secretofthesacredscarab.com. The best is possibly Amazon.

What is your website and/or blog where readers can learn more? Can they friend you on Facebook or other sites?

FI: Again, visit my author site and in the Media Room is a banner with Facebook, Linked-In, Jacketflap and other ways to connect with me. My blog button is on my home page. I would love to communicate with other authors.

Are there any upcoming signings or appearances you'd like to mention?

FI: Alas, I live in South Africa so my appearances are limited to online. It has meant a lot of hard work to get my book out there, but I have learned so much along the way.

Fiona, thanks for joining me today! I wish you the best of luck on your tour and with your book!


Sunday, May 9, 2010

Interview with author, Pauline Baird Jones

















 Today, I'm thrilled to feature my fellow L&L Dreamspell author, Pauline Baird Jones! Pauline is kindly giving away some handmade bookmarks to the first four commenters.

What age group is your work geared toward?


PBJ: I write for and to adults, but my work can, and is, read by older teens. I wouldn’t be comfortable having YA reading A Dangerous Dance because it has some disturbing content, but otherwise, my older nieces and nephews have read my books.



Into which genre would you say your latest book falls and why?



Girl Gone Nova is most definitely science fiction romance, with strong action/adventure elements, because it takes place in another galaxy (though it is present day, SF, not futuristic SF.)



Fantasy and science fiction create a new world for the reader. Tell us about the world you’ve built.



PBJ: Both Girl Gone Nova and the previous book in the series, The Key, are based on assumption that US has secret space program that is taking first steps in intergalactic travel. It’s called Project Enterprise and the intergalactic ship is called the Doolittle. Its mission is to “jump” the farthest into space (there are other ships exploring “closer” galaxies) where they land in the middle of an galactic conflict between the Dusan and the Gadi. The Key is the story about that firs contact and Girl Gone Nova picks up the story two years later.

The people they’ve encountered thus far are humans and while they have their own languages, there is something called “standard” that allows my people to converse with these aliens, though there are many differences in experience to overcome. So far they’ve mostly run into misogynists. It’s bothered a couple of readers, but I chose to do this quite deliberately. If you look at our own world, and the way women’s emancipation has played out, there are still large pockets of people who don’t see their women as an important resource. A lot of SFR fiction shows alien civilizations as more advanced than us in women’s emancipation, I just went the other direction.
It makes for interesting conflict as the cultures clash and it lets me explore what happens when a civilization fails to use all its resources effectively. For instance, in Girl Gone Nova, I explore what happens when boy babies are more valuable than girls (since a civilization needs girls to have boy babies.) I try to use a light hand, but the subject does interest me.

Who is your favorite character in your book(s) and why?


PBJ: Wow, you’re going to make me choose. Let’s see, well, I always like my heroes (if I don’t like them why should my heroine?). The hero of this book is quite the character. He was a sort of bad guy (at least not the good guy!) in The Key and when I wrote “the end” he was miffed that he didn’t get the girl. I never planned to give him any girl, but he kept bugging me and finally I had to play “what if” in my head. I had a lot of fun getting to know him better.


What other writers would you say have influenced your work and why? What are some of your favorite books in the genre?


PBJ: My early influences were Mary Stewart, Elizabeth Cadell, Georgette Heyer, Alastair Maclean and Helen McInnes. From them I learned character, plot, humor and great storytelling.

In my genre, my favorite author is, hands down, Linnea Sinclair. She writes fun and exciting science fiction romance. I particularly like that she doesn’t flinch from writing the big ending. Nothing I hate more than to read an “adventure” novel that fizzles at the end.


What is your writing process like? Do you do a lot of background research? Do you plot every detail or do you prefer the characters to move the story in new directions, or a combination of both? Do you belong to a critique group and do you find this helpful?


PBJ: Well, it is kind of hard to do a lot of background research on fictional science, but I did do some research on the US Air Force, using it as a basis for how my fictional space ships might be structured. For The Key. Sara, the heroine of that book, is a pilot, so I wanted her to be grounded in the real AF, even if she was in space. For Girl Gone Nova, my heroine was a black ops genius. She hides in plain sight. I did do some research on SERE (survival-evasion-resistance-escape) training, a bit on weapons. But since I already had my foundation laid down, I didn’t have to do as much.

My writing process is very much “seat of the pants, into the mist” writing. I do little to no advance plotting. When I started The Key, I had one scene: a woman crashes something and wakes up in a cave with someone. That was it. I just started asking myself questions and 142,000 wds later, I had a book. With Girl Gone Nova, I had a setting and a problem. I had some characters (one who insisted he was the hero!) and I asked myself, who could solve this problem AND cause my hero the most problems? 138,000 wds (and some near head exploding) later I had a new book.

Obviously I spend a lot of time editing, though I also edit as I write. I’ll write myself out on a limb, inch back and rewrite, then press on again. It’s very…organic in a somewhat painful, but very fun way. As long as my head doesn’t actually explode, I’m good.
I do not use a critique group, but I do have a couple of very good friends/readers who give me feedback at key points in the writing process.

 Do you have any advice for young or beginning writers?

PBJ: Don't let anyone tell you that you can’t make it. But don’t expect it to be easy. Easy is no fun anyway. Doing hard things are the only things really worth doing.


 Are there e-books and hard copies available?


PBJ: My books, print and digital, are available in a variety of online outlets, including Amazon, Barnes and Noble and Fictionwise (my personal favorite place to shop digital).


What is your website and/or blog where readers can learn more? Can they friend you on Facebook or other sites?

PBJ: http://www.paulinebjones.com/

http://www.facebook.com/pages/Pauline-Baird-Jones/55567420451

http://twitter.com/paulinejones

http://www.myspace.com/perilouspauline



There’s something else special about this book, for you and your publisher, isn’t there?


PBJ: Not only is Girl Gone Nova my eighth, full length novel, but it is L&L Publishing’s 100th release! It is a wonderful achievement for them and I’m thrilled to be going “nova” with them (and that they’ll be re-releasing my backlist and my new novella Tangled in Time in 2010).

Wow!  That's very exciting, Pauline, congratulations to you and L&L Dreamspell.  I'm happy to have them as my publisher as well!  Thanks so much for joining me today! 




Saturday, May 8, 2010

Blog Jog Day Prizes!

Okay folks, here is what I have going!  Four different drawings! You will need to scroll down through the interviews to enter.

1.  I'm giving away a signed Cara Mia poster and a signed copy of Vicious Circle by Linda Robertson.  I was at a conference yesterday and bought a copy of my friend, Linda's book, not looking and thinking I had picked up her second, Hallowed Circle.  So I told Linda, I'd give it away and re-post my interview with her. To enter for these two prizes, become a follower of this blog and leave a comment after Linda's interview.  This drawing will go until Friday, May 14th, 11PM EST. 


2.A pair of tickets to the Resonance Ensemble's production of The Master Builder.  To enter, leave a comment at the end of my interview with Eric Parness, Artistic Director of Resonance.  This drawing ends on Wednesday.


3.  A signed copy of Ren Garcia's sci fi romance, Sygillis of Metatron.  To enter, leave a comment at the end of my interview with Ren.  This drawing ends Sunday, May 9th at eleven pm.


4.Myrna Caudill is on her author's supporting author's virtual book tour.  At the end of her tour, there will be a drawing through Author's Supporting Authors.  To enter, leave a comment at the end of her interview.

Good Luck and happy blog jogging!

Interview with author, Linda Robertson.

                                                                                                      














I interviewed Linda a few months back, but since she's one of my favorite writer ladies, here it is again! 


Here is a short synopsis of Hallowed Circle:

Persephone Alcmedi has been persuaded to compete for the position of High Priestess of the Cleveland, Ohio, coven -- now that the former priestess, Vivian Diamond, has strangely gone missing. Unfortunately, there are a few small problems with the idea. Not only does Seph know rather more about Vivian's disappearance than the other witches realize, but the epic struggle she's just survived has left her with some highly unusual powers -- ones that could be dangerous to reveal. Despite her reluctance, she agrees to participate, if only to prevent snooty Hunter Hopewell, an obnoxious but talented witch, from ending up in the winner's circle. Can Seph hide her secrets -- including her connection to the master vampire-wizard Menessos -- from the terrifyingly wise judges? Plus, there's her rock 'n' roll werewolf boyfriend, Johnny, and some angry fairies to deal with....

Once the competition begins, a finalist turns up dead. It looks as if one of the contestants is willing to do anything -- including murder -- to win. Suddenly Seph has even more on her plate than she thought: from solving a murder to working out what her new powers really are...and exactly why they're creating so much havoc in her love life.

DV: You have a very interesting background as an artist and musician. How long have you been writing?

LR: My mother recently went through her cedar chest and presented me with a book I started when I was 8. The spelling was predominantly phonetic, and it was about a princess who hated dresses and preferred jeans. Guess I’ve been into strong heroines for a LONG time.

DV: What gave you the idea for this series of books?

LR: I’m blaming a shrimp po-boy sandwich at the New Orleans airport. After having that for lunch, I settled down to wait for my flight and poof, the character Johnny appeared on the page. One I had him pegged, I started thinking about who his ideal woman would be and there came Persephone.

DV: Tell us a little about your writing process. Do you prefer to carefully plot out every point or to let the characters take the lead, or a combination?

LR: I used to plot every detail. Now, my process is far less structured. Generally, I know where to start and where I want to end up, so I make some bullet points/highlights to bridge the two. Then I start writing and let it flow. Seems like I get the first third done quick, then go back over it and settle into the second third, go back over everything and dive into the finale, but I don’t always write it in order, either. If another scene is in my head and ready to be written, I’ll write it. In fact, the climax of the third book, FATAL CIRCLE (shameless plug: available in July 2010) was written before the opening or anything else for that book. I’ve found that not having a rigid outline to be faithful to has left my imagination freer. At times it runs away on the page. Sure, bad ideas sneak in but it’s easy to delete them once they’re identified.

DV: Your writing is very rich in details of the rituals of magic. Are there any particular sources you like to use for research?

LR: Oh, I have bookshelves full of this stuff! I try to follow the basics—if I were writing about submarines I’d have to know all I could about submarines—but, while modern witchcraft and paganism follow a standard ritual structure, the actual performance and spell casting leaves plenty of room for imagination.
I tend to think of magic scenes like sex scenes. I mean, really, a sex scene is more than insert tab A into slot B. There’s the character’s motivations and feelings, the prelude dance(are they planning this or is it spontaneous, and the set up of the moment when they know it’s really going to happen), foreplay(or not), etc. All of that reveals who those characters are. Eventually, you have to address that tab/slot insertion, but it often isn’t spoken as simply as “they made love.” When it is, the reader may feel she’s been cheated out of knowing those things about the characters. In the same regard, “and they performed a spell,” seems like the cheap way out. Paganism is Persephone’s religion, so the spell work must mean more than a means to evoke a change. It is communing with the goddess for her. It defines her. I have to ask myself, “How can I use this moment, this spell, to create a character defining moment? Or a higher plot point/twist?”

DV: Who is your favorite character(s) in your novels and why?

LR: That’s like asking me to pick which of my boys is my favorite. I can’t do it. I can tell you that this isn’t just for the main characters, though. Some of the secondary characters stand out to me as well, like Risqué and Beau—who both appear in FATAL CIRCLE have been enormously fun to create and add in.

DV: What is your favorite paranormal creature to write about and why?

LR: OOooo. Tough question. I guess it would have to be either magic-users or vampires. Of my previous novels (unpublished) 3 had magic users in them, 1 had vampires. But that is in no means meant to diss werewolves. I’m enjoying all that Johnny can do immensely.

DV: Persephone is a big Arthurian buff, and so I suspect is her creator. What are your favorite books or tales about Arthur?

LR: Gotcha! I have to admit, I’m not very well versed in Arthur or the lore of Camelot. I’ve seen movies about it like the MISTS of AVALON miniseries, the recent KING ARTHUR one with Clive Owen, FIRST KNIGHT, even the musical CAMELOT with Richard Harris. I made her an Arthurian fan because I wanted to give her a reason to not immediately and completely discount the vampire, Menessos. Her being into Arthur, having dreams about him repeatedly throughout her life, and having this guy show up looking like he just stepped out of her dreams gave him an edge.

DV: Have you been influenced by the work of other writers in this genre or outside?

LR: Of course. When I was in my late teens and seriously thinking writing was my thing, one of the stories/series I read was the SWORD DANCER series by Jennifer Roberson. And the JHEREG series by Steven Brust. Both were written in first person and I tend to write in first person because I like how immediate it feels.

DV: Do you have any plans to write another series of books, even if they are in a different genre?

LR: The wheels in my head keep spinning, so yes I have other projects I’d like to pursue but I’m in no hurry to start. This series is so much fun!

DV: Do you have any advice for beginning writers?

LR: As always, believe in yourself and work hard. Really—work at honing your skills. Start and complete a project, send it out and move on. Fresh goals will keep the learning happening. And don’t be afraid to push your heroes’ and villains’ limits, and push them out of their comfort zone. That’s when a story truly gets interesting.

DV: Linda, a very big thank you! You can learn more about Linda and her books at her website: www.WolfsbaneandAbsinthe.com.

Thursday, May 6, 2010

Interview with Eric Parness of the Resonance Ensemble

Today, I'm thrilled to feature Eric Parness, Artistic Director of the Resonance Ensemble in New York City.  I had the pleasure of working with Eric on productions with The Oberon Theatre Ensemble.  I asked him as my first theatre interview, because he is directing a production of Ibsen's The Master Builder, a play that figures thematically in Cara Mia.

Eric is offering a pair of tickets to one lucky winner!  To enter you must leave a comment for him by Wednesday, May 12th by 6PM EST.  I will draw a winner at random.  The winner will be posted here and on my Facebook Page Immortyl Revolution.  I will also contact the winner by e-mail.

Eric, welcome to Immortyl Revolution.  Tell my readers a little about yourself, your background and your company.



EP: I’ve been living and directing theatre in New York since 1998. I was part of a group of actors and directors that started Resonance Ensemble in the year 2001. All of us had experience working with classic plays by history’s most revered dramatists; plays that have survived the test of time and proven to be universally relevant. We were curious about how playwrights could participate in this exploration of these great plays as well, and so we started encouraging writers to create work that is somehow inspired by the classics, to try to create new plays that are just as timeless and universal. Ultimately, the new plays would be produced side-by-side with the classics that inspired them. We’ve now done seven full-scale repertory seasons that have paired new plays and classics using this formula.



What drew Resonance to produce this play?



EP: A friend of mine introduced me to a new play called THE GLASS HOUSE, which is the real-life story of architect Mies van der Rohe, and the story behind his design and construction of the famous Farnsworth House outside Chicago. I quickly noticed the parallels between van der Rohe’s story and the character of Solness from THE MASTER BUILDER. Both are aging artists, masters in their field who are struggling to stay relevant and true to their art in a world that favors the young and the new. Both have towering egos, and both are ultimately humbled by personal experience. Both face a younger architect-in-training, who challenges their stature, as well as several women, who may pose an even greater threat. With all these similarities, I thought it would be fascinating to see these plays side by side. And as I became more and more familiar with THE MASTER BUILDER, I noticed how much I wanted to bring that story to life.



For my readers unfamiliar with this play, can you give a quick synopsis?



EP: THE MASTER BUILDER was written in 1892 by Norwegian playwright Henrik Ibsen, who is often considered to be the father of modern drama. It tells the story of Halvard Solness, The Master Builder, who has achieved great notoriety for his work. However, as he gets older, he becomes more and more haunted by guilt about the past. He feels that so many other people have suffered in order for him to succeed, including his first employer, who now is forced to work for him, as well as a neglected wife, that he begins to fear retribution from the younger generation. Then, when the younger generation literally knocks on his door, in the form of a young woman named Hilda Wangel, he is forced to recognize that what he fears most is also the one thing he wants more than anything.



Talk a little about your concept.



EP: To me, the most striking thing about THE MASTER BUILDER is how contemporary it feels. Ibsen was pretty much the first writer in history to try to portray naturalism on stage, and in THE MASTER BUILDER, he explores deep, psycho-sexual issues that we often attribute only to more modern thinkers. So, what we’ve tried to do in this production is to recreate what Ibsen intended: to make the dialogue and the characters seem like real, complex, layered people having real, complex, layered conversation. This is especially difficult in translation, as we need to find the English equivalent to the Norwegian dialogue, so we worked hard on making the words seem natural. Though the production is set when Ibsen wrote it in the late 19th century, I think the result of our work is that it will feel like it could be happening today.



One of the reoccurring themes this play is an allusion to supernatural elements. Ibsen talks a lot about “demons”. Hilde speaks of Solness “calling to her” and in a sense controlling her. Ibsen also evokes the plundering spirit of the Vikings in an almost Nietzschean sense. What are your thoughts on this, or are there any insights you may have gained from your research?



EP: I think Ibsen was really predicting what we’ve come to understand from Freudian terminology as the “id.” The “demons” of the play are the agents that carry out Solness’s deepest desires without consideration of the consequences. I think most people can relate to the idea that it sometimes feels like there is a monster inside us that controls us, urging us to be arrogant and selfish and self-serving. Solness believes that the Vikings were able to do this; go out and plunder new lands; without their conscience, or “superego” getting in the way.

Some of the other supernatural elements I’ve found to be symbolic or insights into the characters. Solness’s guilt about how the “demons” have helped him to succeed has twisted his mind into thinking that he has the “power” to control and manipulate the world around him. Hilda is also a deeply layered character, who to me, because of some sort of dissatisfaction or, possibly even a traumatic event in the past, desires to be “carried off” by a Viking-like character. When two characters like this came together, they will naturally be drawn to each other.



 Ibsen based the character of Hilde Wangel on a relationship he had with a much younger woman. How do you see the relationship between Solness and Hilde? Why did Ibsen choose to call Hilde, a “bird of prey”?



EP: I’ve heard that some “birds of prey” actually have the ability to put their victims in an almost trance-like state before they attack. Solness as a character, I think, recognizes the danger that a young, alluring woman like Hilda represents to him as an older, married, professional man, at least on some level. He has to realize that her influence can absolutely lead to his destruction. Yet at the same time he is completely enchanted by her and what she represents, to the point where he really is almost hypnotized by her. And whereas, at first, is seems that Solness is the one “calling out” to and controlling Hilda, it soon seems that things may very well be the other way around.



When do you open and how can my readers order tickets?


EP: THE MASTER BUILDER and THE GLASS HOUSE run on a repertory schedule from May 9 through June 5, 2010, at the Clurman Theatre on Theatre Row, 410 West 42nd Street in midtown Manhattan. Tickets are $18.00 and are available at the box office or at Ticket Central (www.ticketcentral.com or 212-279-4200).



Where can my readers learn more about Resonance?


EP: More information is on our website at http://www.resonanceensemble.org/ or search for our “Resonance Ensemble” group page on Facebook.

Eric, thanks so much for joining me!  Readers, if you are in the New York area, please take time out to look up this exciting company.  If you have any questions for Eric, please feel free to comment.

As I mentioned before the interview, The Master Builder inspired me when writing Cara Mia.  I read this play in college and always wanted to play Hilde.  Unfortunately, I never had the opportunity, but I drew upon this idea of a charismatic young woman, representing "the younger generation" who "knocks on the door" of an older, powerful man.  In the case of Cara Mia, this is represented by Mia and her Elder, Brovik.  I also took Brovik's name from the play, but the character he corresponds with is Solness, the master builder of the play's title.  Brovik in his past life was a viking raider.  He does what he must to acheive his goals, without too much thought about others.  Mia becomes his pawn and he plays a very nasty trick on her.  Although Mia is Ethan's concubine, according to Immortyl custom, she is fair game sexually to the elder.  Mia and Brovik are attracted to one another, and she falls under the spell of his forceful personality.  However, Mia doesn't take kindly to this deception and nurses a grudge for many years.  In the end, Mia has her chance at revenge. For more information on Cara Mia and the Immortyl Revolution series go to my website.

Wednesday, May 5, 2010

Blog Jog Day

I'm participating in Blog Jog Day on sunday, May 9th.  More details to come!

Tuesday, May 4, 2010

Interview with author, Myrna Caudill



Today I feature Myrna Caudill, who is on her Authors Supporting Authors Virtual Book Tour.  You can enter to win a copy of her book by leaving a comment for her.  The book winner will be chosen at the end of her tour and posted on the ASA site.  Winners will be contacted by e-mail.  

Welcome Myrna!  What age group is your work geared toward?


MC: Twenty and up. My book is for the general public. It is a light, sweet romance with a mystery. There is humor, action, and wisdom of age in the story.

Into which genre would you say your work falls and why?

MC The primary thrust of the story is romance. Love thwarted and then rescued. The mystery involves a serial killer which the main mail character must resolve.

Tell us a little about your book.

MC: A deputy sheriff troubled by a past incident finds himself unable to commit to the woman he loves.  After she surprises him with an unexpected son he makes the noble offer of marriage only to be refused. Gem, the woman he loves and the mother of his son is independent and wants all of him not just what he has left to offer.  Jake, the Deputy, struggles to bring to together and resolve the many, many issues in his life and claim his love and their child. Will Love Triumph? 

Who is your favorite character in your book and why?


MC: I like all of them for different reasons. I Pop for his humor, I like Zena for her self confidence, I like Gem for her determination, but, I think I like Jake best. He is a strong, courageous and honorable man. Anyone’s hero.

What other writers would you say have influenced your work and why? What are some of your favorite books in the genre?

MC: I’ve always like the strong western type hero and the resolute females. The strength to continue and the resolve to overcome obstacles speaks to me.

What is your writing process like? Do you do a lot of background research? Do you plot every detail or do you prefer the characters to move the story in new directions, or a combination of both? Do you belong to a critique group and do you find this helpful?

MC: I do a research as I need information to complete my plots and make them as accurate as possible.  I prefer my characters, primarily, to move the story in interesting and new ways. Often, I will create a interval character and unexpected sub plot to involve the characters and bring about more tension. I have a reader who is a great help. She reads my drafts, makes suggestions and corrections. I find that very helpful. I do belong to a Writers Guild and find that helpful.


Do you have any advice for young or beginning writers?


MC: Since, I am new at the writing game I’m not sure what advice I could offer except what I have been offered.  The most important being – write, then write some more – then continue writing. Develop your writing muscle by exercising it.

Who is your publisher and where are your books available? Are there e-books and hard copies available?

MC: My publisher for “Love Triumphs!” is Xlibris and my books is available as an e-book and hard copy.
They may be purchased at www.xlibris.com/myrnarcaudill. As well as Amazon, com., banresandnobel,com,, booksamillion.com., and my website http://www.myrnarcaudill.com/.  I do have another book available. “Cold Case Fallout” is my first novel. It is available on Amazon and Barnes &Nobel, as well as my website www.myrnarcaudill.com


What is your website and/or blog where readers can learn more? Can they friend you on Facebook or other sites?

MC: My website is www.myrnarcaudill.com I am on facebook and twitter.


Are there any upcoming signings or appearances you'd like to mention?


MC: Not at this time. I have just completed a book signing at “Family Christian Book Store” in Mason , Ohio

Myrna, thanks for stopping by! 


Readers, please visit http://www.deniseverricowriter.webs.com/ to explore the world of Immortyl Revolution.



Sunday, May 2, 2010

Interview with author, Ren Garcia




Today I feature author, Ren Garcia.  Ren is giving away a copy of his book to one lucky winner!  All you need to do is leave a comment for him to be eligible.  He will draw a name at random.  The winner will be posted here and contacted by e-mail.  Please comment by 8PM EST, Saturday, May 8th


Ren, welcome to Immortyl Revolution.  What age group is your work geared toward?

RG: High school age and above. I’d say my works have a mild “R” rating. As the series progresses, it does get a bit more adult in nature, however, the first two books are pretty safe.

Into which genre would you say your work falls and why?

RG: That’s a tough question. On the immediate surface, it’s a science fiction story as it takes place not on earth, but far away, literally thousands (if not millions) of years into the future. Additionally the characters themselves are not quite human. They are engineered to be young and healthy throughout their lives (sort of like a vampire, but not so much). They live to be about two hundred years old on average and the medical arts are somewhat forgotten, as they don’t get sick. They fly around in spaceships and occasionally encounter aliens. On the other hand, it’s a Fantasy book, with monsters, arcane knowledge and teachings, wondrous objects and heroic quests. Still, take away the spaceships and the monsters, and you have a basic romance. One could easily replace the star-faring vessels with rigging and sails and adventure upon the high seas and not lose too much. The characters, though fantastic in their abilities, are still easy to relate to and understandable in their plight. Love, even millions of years into the future, hasn’t changed much. So, what sort of genre is this? I’d say it’s a Romantic Science-Fiction/Fantasy.

Fantasy and science fiction create a new world for the reader. Tell us about the world you’ve built.

RG: It’s a rather odd sort of world—a veritable mixed bag. Depending on where you are, you might encounter romantic estates well-suited to 17th century France. Travel down the lane a bit and you might be standing before a towering gothic castle full of wonder and mystery. Continuing on, your journey ends in a smoky city of modern skyscrapers where vendors sell 4-D tattoos and install replacement Bio-Plants right there on the street. The gentry, awash in the Gifts of the Mind, prefer to shun technology to a large degree, and perform mentally what the commoners perform via devices and contraptions.

The commoners drink and play games like brandtball and skywall, and, oddly enough, bowling. The Blue Lords openly detest bowling—thinking it a low and vulgar activity. However, most great estates have a hidden and lavish bowling alley hidden somewhere on their grounds and a Lady’s bowling average is an important mark of status.

It is a world of feudality, where men wield the power, yet where women ultimately rule. The most important sect in the League is the Sisterhood of Light. It is understood, though not spoken, that they rule the League and protect the people from the scourge of the Xaphan Black Hats. A gentleman’s most important mark of status is his “Programmability’, or, how many times has he been invited to impregnate a Sister. Lords with high Programmability may do anything they choose in the League, while others of lesser Programmability, regardless of stature or wealth, are shunned.


Who is your favorite character in your books and why?

RG: Lt. Kilos, Captain Davage’s first officer. She’s the consummate sidekick. (And, it’s pronounced Ki-Los; “ki” as in “kite”, then “los”. Kilos) She’s the person who stands beside the hero and helps define him. Though she’s a hot-head, she’s often the voice of reason. Though she’s a drinker, she’s often the most sober and though she’s a commoner, her heart often inspires the Gentry. As the series progresses, the main characters change, but there’s always Kilos standing at their side.



What other writers would you say have influenced your work and why? What are some of your favorite books in the genre?

RG: Michael Moorcock is one of my great influences. Through his work, such as the various incarnations of the Eternal Champion (Elric, Hawkmoon, Prince Corum, etc…) I learned to be bold, to be uninhibited and never apologize. Some who have enjoyed the book have commented that the characters either wear heavy, elaborate clothing, or they wear nothing at all. I suppose that’s true, as there are lots and lots of naked people running around—again, that’s Moorcock’s influence.


What is your writing process like? Do you do a lot of background research? Do you plot every detail or do you prefer the characters to move the story in new directions, or a combination of both? Do you belong to a critique group and do you find this helpful?

RG: I usually have a thought as I begin writing and it almost always gets scrapped before I finish. I discover the plot as I go along—and the flavor of the work often changes from vanilla to strawberry.


Do you have any advice for young or beginning writers?

RG: Create an idea and stick with it. Let it simmer, always in the back of your thoughts. Don’t be in a rush to put pen to paper (or finger to keyboard as it were). A good idea never leaves you. The words might change, but the thought itself grows, like a snowball rolling down a hillside. I saw Lt. Kilos in my head for years before I ever wrote a word about her.


Who is your publisher and where are your books available? Are there e-books and hard copies available?

RG: IUniverse. My book is available via Amazon, Barnes&Noble, or any on-line outlet. It also comes in e-book format. Also MFK comics is converting the first book, Sygillis of Metatron to graphic novel format.




What is your website and/or blog where readers can learn more? Can they friend you on Facebook or other sites?

RG: The League of Elder is a big place. I’ve published my glossary, along with news and art at www.theleagueofelder.com Also, I have a steadily growing fanpage on Facebook called: The League of Elder by Ren Garcia


Are there any upcoming signings or appearances you’d like to mention?

RG: I’m waiting until the publication of book 2: The Hazards of the Old Ones, then I plan to “hit the trail” as they say. Nothing firm as of yet. I’m also going to be hitting the comicon scene once the Graphic Novel is released. I can’t wait.

Ren, thanks for joining me today. 



Readers, be sure to visit www.deniseverricowriter.webs.com to explore the world of Immortyl Revolution.